fine, i will start learning about the dead wax info and than start checking my collectionmaybe. Matrix numbers will be different on each side, and are sometimes printed upside down on the label to prevent them from being mistaken for the catalogue number. The Dylan record has massive amounts of bass, popped "p"s etc. Division, Bloomfield, NJ MO = Monarch Record Mfg. I have seen that used for other logos on CD matrixes for example. If not of a zillion-selling Broadway cast album like My Fair Lady, then it was a case of a classical LP where huge numbers of lacquers were rejected and a few rendered suitable for sending to the plants. Most of the symbols are Katakana, however they are not uniformly distributed. So it's really an early pressing since 1A-1F was "first lacquers cut" (2 each to the 3 pressing plants) and then 1G-1L would be second set. CP = Columbia (Pitman, NJ) So, when youre decoding the dead wax of older albums, you may see a pretty wide variety of pressing plant inscriptions. I gave up trying to find a clean original copy of Buffalo Springfield Again a couple of years ago simply because the first well used copy I came across made any further pursuit seem pointless, it sounded bad. What was the slope of the filter? The handwritten notation indicating "50 cy[cle] cut-off" would seem to suggest that this was not a standard practice. 1AA would be third set but 1 means still same "program" or tape. If nothing else, youll look like a wizard to your friends as you hold a record up and proclaim its provenance. For instance, the first edition of Bob Dylans Highway 61 Revisited (CS-9189) had a different version of From a Buick Six than did later ones. https://www.discogs.com/Kate-Bush-Hounds-Of-Love-/master/28680, https://www.discogs.com/Kate-Bush-Hounds-Of-Love/release/197163, https://www.discogs.com/sell/release/197163?ev=rb&condition=Mint+(M), https://www.discogs.com/sell/item/920212980?format=Vinyl&text=The-Beatles-Abbey-Road, (You must log in or sign up to reply here. Thanks to Mike for helping us find good original pressings. next screens, you will be directed to still enter your own shipping information for An example is "LC 0125". How were Acorn Archimedes used outside education? So using them to mean something else is just going to be confusing. When I look at the dead wax of the album under a bright light, my particular album has the following marked on the wax: 'ES' indicated a pressing by ElectroSound Group Midwest in Shelbyville, IN. This album has great energy and to me seems like a easy candidate for an AAA reissue from Rhino mastered by CB if the tapes are still around. 5.2.c. The system may have been different for mono or different during the 60s because I received this image from either Sundazed or Sterling Sound when the mono Dylan titles were mastered: It shows but a single lacquer sent to each plant and the 1A going to Terre Haute. Shop by category. There are also other quality control factors at play; how clean the parts are at transfer and the quality of the vinyl pellets (percentage virgin/recycled). Discogs lists an "original" but doesn't say if that's printed or what. So while there might be a theoretical advantage in quality for the first pressings from the first stamper, it might be that the first pressings from a second stamper are better than the last from the first. Your recommendation will define which of these I will go pick up. 1A&B went to Pitman (N.J.), 1C&D to Terre Haute, (IN) 1E&F went to Santa Maria (CA).. Even after a RCM, it sounds terrible. Take numbers on Victor Records can usually be found to the left at the label, i.e. Relation to Other GD&T Symbols: Total Runout Controls: Concentricity, Perpendicularity/Parallelism (feature of size axis), Cylindricity, Circularity, Straightness and of course normal Circular Runout Total Runout captures Concentricity by controlling the radial alignment of the datum's axis to the feature's median points. So the 1A-Fs had the original fast version, while the -3 had the slower one, no doubt changed per Bob Dylans request. Mmm, it didnt appear another one when I was typing. Deepgrooves standard is the Catalog/Matrix number and initials from the cutter. From my record digging experience, more often than not, European pressings from the '60s contain very early Columbia NY cuttings. Michael, is it time to revisit cracking the Beatles matrix code? you should have a section on this site on dead wax info with pictures of different labels. -1F, -1G, -1H) after the indies cut theirs. - Matrix Side 1: (Artisan "Drum" Symbol) ST-A-712107-A MO (MR) 15665 AT W - Matrix Side 2: (Artisan "Drum" Symbol) ST-A-712108-A MO (MR) (Delta with "\" strikethrough)15665-X AT W Copy B - Label: ST-A-712107-MO - Matrix Side 1: (Artisan "Drum" Symbol) ST-A-712107-A MO (MR) 15665 (3X) AT W (I presume there is an 'EMW' marked elsewhere in the deadwax?) That's true for Columbia for sure. matrix runout symbols matrix runout symbols. AA through AL would be cuttings 12-22, BA through BL would be 23-33, and so on. For example, matrix number 12345 is seen on a label, but examination of the run-out groove area reveals number 123453, which indicates this is the third cut of this side. Recuts can also be made when there is a problem with the previous cut, for example, a technical fault or improper banding (the visual separation between songs). The CT means it was pressed at Terre Haute plant. Your web browser appears to be outdated. Vinyl run out etchings can also contain mastering engineer / mastering studio / pressing plant information (often as initials) and extra text. (Would by any chance Phil know what make of machine that was?) Is that the mono or the stereo??? Many of us collectors enjoy the tactile experience that records provide. Ironically, in this case steer clear of the one with the Columbia stamped matrix info. A RE pressing may or may not be as collectable, but theres still a good chance that it will have similar mastering and sound as an initial pressing. Also has "AT and LW" hand written elsewhere on the lead out groove area (as do many Atlantic/Atco cuts done at Atlantic Studios. Both with the "original" label but one will sound awful and one spectacular! CT or CTH is Columbia Terra Haute. Discussion in 'Music Corner' started by dbleaman, Oct 16, 2013. There's another one mastered at Atlantic that sounds great. From Neil Youngs Goodbye Waterface in the dead wax of Tonights the Night to the messages found on every album Third Man Records has ever pressed, you can see little welcome notes from the people that brought you the music. Records with one song per side, particularly 7-inch 45rpm and 10-inch or 12-inch 78rpm records, are often found with non-consecutive matrix numbers on each side, and the "hit" side or "side one" may not necessarily be the lower number. . Matrix / Runout (Side A (etched)): 1-25009-A RE-1 "W over M" symbol 43719 Wakefield Roger. It can be assumed that plating was performed by GZ Media (Mastered At credit for now), as well as cutting the lacquer or DMM if not done by another mastering facility, and record pressing performed by MRP.MRP0027 - King Of The BeachMRP0964 - Mother 2 ()MRP1647 - Sky Blue, Vinyl releases can be identified by a matrix number of V####### in the deadwax.Examples:VI256583 - Lift Your Skinny Fists Like Antennas To HeavenV1254446 - It's About TimeV1265424 - Polaris Cover Sessions No. I have a -3 so I can be sure about that, I dont have a -2 so I can only speculate about what was changed there. The mono is a 1A /1D copy. So I'm willing to wade into details only when I have some sign or have nurtured and developed a hope, a real or imagined expectation of some reward. When looking for matrix information on 78rpm records, care should be taken to examine the label area as well, as some numbers may be coded underneath the label, and are viewable as indentations. In engineering, runout refers to an error in the rotation about a central axis of rotating mechanical systems. thanks for the info. X is the cut number. He knows stuff. This is the cool part. Some appear very frequently while others are completely absent. Echoes Of The First Dreamer (The Musical Prequel To Golem), Rocket Reducer No. That is how it was done at EMI for instance. This article is about record label/runout coding. The pressing plant is indeed printed on the label MO following the matrix. Jus' sayin' :). Unfortunately each record is like a person, similar but different to all others. you should do a book, you have a lot of good stories and you tell them so well. Besides the Agents what else was there actively looking for people in the Matrix? Co. MR = Monarch Record Mfg. Read the page, unless there is another, previous pressing that it is so rare that it hasn't made it to Discogs, the first pressing is there, that one - the cat. The inscription area may also contain record plant codes or logos, the initials or signature of the disc cutting engineer, and cutting or copyright dates, among other things. I also have a yellow label version some would say is a "second pressing" but it has the same info as ST-C-671117- (a rubbed out) C and D except it has "PR" on the label, which means it was pressed at Presswell, Ancora, NJ (RIP). Although hidden messages are usually the invention of the disc cutting engineer, there is an instance where a message is believed to have been inserted at the request of the recording artist, on Led Zeppelin's single, "Immigrant Song", which contains this message on copies made in more than one country: "Do What Thou Wilt Shall Be The Whole Of The Law". It is not unusual to find records with a different cut number on each side. 1 Answer. The runout symbol is placed in the first compartment of the feature control frame. Once the indie mastering facilities began cutting, all bets are off but those did not use the Columbia stamp or matrix system anyway. Did Richard Feynman say that anyone who claims to understand quantum physics is lying or crazy? It has nothing to do with the pressing inside (so #4 doesn't mean fourth pressing!). Alternate takes are of interest to collectors, particularly if the music is jazz. The stereo has "Mobile Fidelity Sound Lab" on it The most important part of the extra information is usually the cut number, which is a suffix to the main number. Use the shortcode section to copy the various shortcodes for the Total Runout. )Y is not clearExamples:109682-A-1 - Jacky's Only Happy When She's Up On The Stage0445179-A-1 - Shadow Of The Beast07700892-A-1 - Runescape: Original Soundtrack Classics. And it's not necessarily true that Columbia didn't "stamp" matrix numbers on "other" lacquers: in 1972-73 they stamped matrix numbers onto lacquers from Frankford/Wayne (for Ronnie Dyson's "One Man Band (Plays All Alone)" 45 on Columbia) and Atlantic Studios (for Looking Glass' "Jimmy Loves Mary-Anne" on Epic). (I have a couple or more that look like the picture). How about the Scranton "anvil" or whatever it is. I have been getting into researching matrix info for the last few years and have thought putting the matrix on the label was the way to go. So, repressings can still be from the year of the albums release. The Matrix begins and ends in . This could explain why that cool Count Basie record you have sounds different than your friends copy of the same album. A&M's code for this plant as on the center label was 'B'. Spend $150 on qualifying in-stock products*, get $25 off your order. Maybe mine was just a bad pressing but I've seen others post the same. Also, if someone is trying to sell you a first pressing and youre just not quite sure what to look for, understanding what is in the dead wax will put you on your first step of authenticating or debunking the sellers claims. They include Arabic digits, Latin letters, punctuation/math/etc characters, Kanji and halfwidth Katakana. Other: "" and dashed underscore ( but lower down). yeah, not a fan of the /IAM\ I have to say; the slashes are characters which very well may actually appear in a matrix. A matrix number is an alphanumeric code (and on occasion, other symbols) stamped or handwritten (or a combination of the two) into the run-out groove area of a phonograph record.This is the non-grooved area between the end of the final band on a record's side and the label, also known as the run-off groove area, end-groove area, matrix area, or "dead wax". Is Audio Intelligent's Enzymatic Stylus Cleaning Fluid Safe For Your Ortofon Bonded Stylus? There can be multiple variations where catalog number, mastering credits and other info are also included.Examples:- The Telltales Series - The Walking Dead (Soundtrack Collection)- The Tascam Tales- Barry Helafonte, ########-X-Y# indicates 6-8 digits. although i buy all nm to mint originals, i still have not gotten into the run-out grove info yet. Examples:- What Went Down- Lixiviation (Ciani/Musica Inc. 1969-1985)- Spirit, NR ## ## ## ###First two digits is the pressing year (17 = 2017, 18 = 2018, etc.). 'XSM' was the stereo code used by Columbia for 12" LP's ('XLP' - or as they put it on their labels in those days, 'x"Lp" ' - was for mono; on Epic the codes were XEM for mono and XSB for stereo.). If the part rotates it probably requires runout. (After 1971, Columbia Canada set up its own mastering studios and pressing plant in Don Mills, Ontario.). Its not what you want. It is all on Discogs if you search correctly - go to KB's main page, pick the album and then the page with all of the releases comes up. The rest are Japanese characters (mostly half-width katakana, though there's at least one kanji in there as well). In the days of 78rpm records, before recording tape was commonly used (up to approx. The four monos are outstanding and the versions Dylan cared about. Would be nice though if we had a handy page of characters we could use, and it was "stickied somewhere. Can you share who the mastering engineer was? All the majors sent 2 sets to each plant. Still, I wonder when you'll do the research and publish a book related to such kind of information filled with some of your stories. When record historian Brian Rust researched his discography books on early recordings, he was able to determine the studio and approximate recording date of certain songs from matrix numbers by comparing them to other numbers in the sequence. When it happens, may exists a first press made in (for example) US with matrix-runout: DISCTRONICS 12358747 @@ A01, but the same label based in EU manufacture the Europan version in a different pressing plant, with matrix-runout: SONOPRESS - 76543 - A0001526546. If a record is recut for re-issue with a new catalogue number, the cut number will probably start at #1 again. That is why the first 11 lacquers cut and spread out over many pressing plants would have been -#A, -#B, -#C, -#D, -#E, -#F, -#G, -#H, -#J, -#K, and -#L. For some reason, when this was set up, their system never went to M or higher letters, hence after -#L came -#AA and then on down. rev2023.1.18.43176. In the run-out area, the latter number could be expressed as X1234B7, where 7 is the cut number. According to my source: Each plant got 2 sets because it's easy to lose a lacquer in plating. ], because it's on the bottom, *) Annan said that character [] is present in code I believe he was wrong; I think he must've seen a fragment of another character during appearing (they appear not each at once but each unhiding from top to bottom), **) what's interesting [] are with overscore, [] are with underscore; I think this is somewhat because of emulating technical problems of old screens; just like the underscore in digit [4]. Our website may not look and function quite right in it. (It should also be noted that that lacquer log sheet for Dylan's John Wesley Harding mono issue came from Columbia's Nashville studios, which cut the lacquers in question on a Scully 501 lathe [as opposed to the Scully 601 they used to cut stereo records]; what eludes me is who exactly was "B Mc" who mastered such sides.). Someone I know disagrees with the information in article and I'm copying his words here. This is the non-grooved area between the end of the final band on a record's side and the label, also known as the run-off groove area, end-groove area, matrix area, or "dead wax". To add the Total Runout in HTML, you can use an HTML entity, an HTML code (decimal), and a Hex code. Is there a list of the symbols shown in "The Matrix" when operators do they work watching it? Here is the example: // HTML code example <span>I am Symbol</span> // HEX code example <span>I am Symbol</span> ", but this was the first of several hidden messages referring to her in U2 albums, followed by her name being scrambled to make the name Kiley Sue LaLonne in the booklet of Original Soundtracks 1 (1995) and then on most CD copies of Pop (1997), a message on the playing side of the CD near the matrix numbers reads "4UALKXXXX". Thanks for contributing an answer to Science Fiction & Fantasy Stack Exchange! It must have been a different Buffalow Springfield record that had disappointed. You can find a great deal of information online about matrix codes and their meaning. As an Amazon Associate, we may earn commissionsfrom qualifying purchases from Amazon.com. There are mono and stereo variations and pressing plants all under the ATCO label. If a record is re-issued by a different company, or by the same company under a different catalogue number, the record is usually recut, although there are occasions where the previous cut is reused and the new number is added to the inscriptions in the run-out area, sometimes with the previous number scratched out. Is that correct, or not? There was some stamper trading going on.that's all I can think of. You can tell that many of the symbols are just normal Latin alphabet digits, letters, and symbols. Some are less so like Pecko Duck, the nom de plume of George Peckham. It does not account for other studios that cut for Columbia or their clients (whether Sterling Sound or other Columbia studios such as in San Francisco or Hollywood), where I've seen such dash numbers as -1M or -1P or -1Q. U2's Rattle and Hum (1988) features a secret message to the band's production manager, Anne Louise Kelly, reading "We Love You A.L.K. If the numbers appear to be from completely different sequences, or have a different format or number of digits, this can indicate that the numbers were assigned by the recording studio, and the two sides were recorded at different studios. On double A side releases, the side identifier will still use "B" for the AA side. It's funny I have been on the Steve Hoffman forum since 2003 and I have a quiet chuckle to myself. Skip to main content. The in-house system with Columbia was the focal point of my decoding. Immediately after this is commonly followed by a dash and a number/letter combination such as -1A. There is some variation on this, but typically this would indicate that the record is a first pressing and youre looking at side A. I am not a record collector who is compelled to pursue it out some intrinsic capacity of my character, but only because I enjoy it when I am rewarded with emersive music. Question: With records that have both stamped information as well as etchings, how are these applied? Is it confirmed that AA means 2nd pressing? In GD&T, Total Runout controls how much a feature or surface can vary with respect to a datum if the part is rotated 360 degrees around the datum axis. Can be tricky! Yes, those letters and numbers in the dead wax on each of your records contains info that will allow you to determine any number of things. This product is currently unavailable. The masters would still carry the dash number for the plant doing the pressing. That tape was bass-loaded I'm sure on purpose with Dylan popping many "P"s. It's possible that cut off was done just for that record. The idea that a 'first press' might be better (before the pressing machines get worn down) seems credible, though of course mastering and engineering of later . Keep in mind that back when records were pretty much the only way to get music, albums were pressed by the millions regularly. Please be careful not confuse this with catalog or matrix numbers. mirrored: 2, 5, 9, 8 (two identical circles hard to tell if mirrored), not mirrored: 1, 7 (without the line crossing through the middle), 0 (a "slashed zero" form), 3 (a "flat-topped three" form, upside down), 4 (a "closed top four" form, with underscore, but see ), *) +(letters AEHIMRTX at the end of intro forming "THE MATRIX", but it's clearly visible that they were added to the video after generating the code rain because they misalign, glow brighter, are thinner and have serif font-face), [space] (I assume so; sometimes there is an empty place in a column and one could treat that as blank place, not [space] generated; but sometimes it really appears in a sequence in spots where the symbols change frequently), ( "double dash horizontal" but low, on the bottom line, like underscore; I haven't found such glyph in Unicode table and online), *) there's no dot in the middle of the text line (///etc.) This is often referred to as a "two by three matrix", a " 23 -matrix", or a . These are mostly known characters, but they are flipped (mirrored). If it is rejected, another cut must be made. Mastering is very much an art and, like a lot of artists, mastering engineers have been known to sign their work. They can even be found on compact discs on occasion. At Warners they bought Sheffield Plating which did plating for all the plants.. VMP members receive our exclusive Records of the Month and special access to other limited titles. Or they may refer to a record as a "second pressing" if the cut number changes, but the label, cover, and musical content are otherwise identical. Want to stay in the loop about our exclusive reissues, Records of the Month, and other vinyl deals via email? Some just have that undefinable mojo going for them. The mono has "Original Master Recording". Both versions were made at the same time and launched to the market the same day . It has simpler more rootsie vibe but in many ways similar to to what came later. download :-). The long stream of numbers, sometimes prefaced by two or three-letter code, are typically a catalog number or part number identifying the stamper used. Record collectors have often been amused to find hidden messages inscribed in the run-out area. Co. PH = PRC Recording Company, Richmond, IN P, PIT = Columbia Records Pressing Plant, Pitman PL or PP = Plastic Products PR = Presswell PRC = PRC Recording Company, Richmond, IN PRC-C or PRC-W = PRC Recording Company, Compton, CA I would like to compliment you on the interview with Phill (with two l's)Brown. By this code dating to 1952 or so, this would have been the 146th lacquer cut of that side. So avoid (under "Bluebird") (ST-C671117CT) and that stamped in lead out groove area even if followed by -1A. This machine they used did not have any letter 'I', and 'O' was used for both the letter 'O' and number '0'. Create a free VMP account to save this product to your wishlist. In fact when I consider the great sounding records that are out there to be heard, that I will surely never hear because it would involve to much work, or risk, going out on a limb in the dark, I try to overcome that sudden sense of depression by reminding myself that my soul will remain unaffected by this lack, even though I am surely not fully aware of it, that is, my soul. I take a sigh and let go, ease my grasp, release a spark, and close down that webpage. . The one you want has handwritten ST-C-671117- (A rubbed out) C on side 1 and "D" on side two. For example a post on the often useful Steve Hoffman Forums claims that Columbia cuttings are A-1st, B-2nd, C-3rd through L-11th and then AA is 12th cutting with AB being 13th. How can we cool a computer connected on top of or within a human brain? He worked for the label in the 1970s, so in addition to lacquers, Dolby tape copies were included with the lacquers for file recuts and tape duping. With the edit it's not a dupe, although my answer does speak to what the "rain" is made up of in terms of characters. Carlos. This system would have dated to February 1952, when they first got the stamping machine they used for over 31 years (up to the end of 1983) to embed the numbers in the runouts. Symbol of a drum with two drumsticks = Artisan, Symbol of a U inside a circle = United Pressing. I think it's essential. This is the non-grooved area between the end of the final band on a record's side and the label, also known as the run-off groove area, end-groove area, matrix area, or "dead wax". More reasons for multiple cuts: If a record is pressed at more than one factory, as can be the case when a popular release is issued by a major record company with factories in more than one city, each factory may make its own master cut.
matrix runout symbols